- revolution on a personal level? trigger uncomfortable or new feelings through unusual experiences (like Undressing Room)
- choreographing historic moments
- use art to subvert the system and tell a different story
- it’s not about the artist as a person -> artist as a channel, not a gifted/special individual
- art not about the beauty, but about power (who gets to make/be recognized by making art?)
- show those in power (e.g. censors) that we’re not afraid
- privilege of living abroad and being able to safely criticize
- guiding questions: who is missing? Am I the right person to do this project”
references that he cited
- Políticas of Touch (Erin Manning)
- Weak Resistance (James C. Scott)
- Queer Art of Failure (Halberstamm)
- Jose Istaban Muñoz
- Weed Principle
- “What is white privilege, really?”
- Mutating Kinship Lab