The fact that she’s very firm in her stance about funding is quite interesting, especially since it kinda defeats the purpose of going to Berlin for art (tho apparently it is cheaper compared to London). It’s a little funny that most artists that we have met so far cite the funding as the main reason for moving to Berlin, and Harshini was just like ‘yeah no’. Her perspective of a newcomer is refreshing as well, since she basically came as a not very well established artist, and thus had to scramble a bit to get going.